For Sonya Moor’s piece, Lettre a Simone, exploring gender, freedom and the legacy of a photograph (La Tondue de Chartres- Shaved Woman of Chartres by Robert Capa) long after its taking. The illustration is made up of monoprinted textures, photographs of textured walls, digital drawing and collaged photos by Robert Capa, shortly taken after the liberation of France from German occupation. Simone Touseau, whom Moor’s letter is addressed to, walks shaved and branded (as many French women suspected of having sexual relations with German armed forces were) towards incarceration.